Still, in stipulating the use of 4K (or higher) sensor cameras, Netflix radically reduces the aesthetic autonomy of film directors and producers. Cinema magazine, 30% of Netflix’s “best movies of 2020” were made on non-approved cameras. Netflix does allow limited exceptions to its rule, with use of non-approved cameras requiring its explicit approval and a “more flexible” approach to non-fiction productions. Macs have wonderful apps and accessories you can add, just make sure you have the capabilities it takes to run them. To create 3-D special effects, add background music from the iTunes library, and run other features, power and processing speed are critical. ![]() (Their company motto is “make digital more cinematic using CineGrain.”) The natural result of the physical process has been superseded by video, but digital cinema makers reintroduce this as one component in achieving a “film look.” The most important thing about making movies with a Mac is having the power you need. The absurd thing is companies like CineGrain now sell digital overlays of film stock that can endow video with the grainy film look. The edges look too sharp, the shades too clearly delineated - compared to what we have been used to as cinemagoers. ![]() This is not as much of a problem on a big screen, when the images are huge, but the high resolution is really noticeable when the images are compressed on the kind of domestic TV or computer screens most people use to stream Netflix.
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